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Two theses fill the mind with are and wonder. The First is Aristotle’s oracular proclamation that
“Being can be said in many ways”.
Metaphysics is the science of first principles that studies Being qua being in a way that avoids the dogmatism of some ancient schools and the scepticism of more modern approaches. Kant was hailed by some critics as being “the great destroyer”. Critical Philosophy with its hylomorphic concerns certainly demolished reductionist materialism and certain forms of spiritual dualism such as Cartesianism but we have argued in earlier works that it is best seen as a continuation of the metaphysical project that Aristotle began over 2000 years ago.
The second thesis of awe and wonder therefore relates to the Kantian account of knowledge which is summarized in the following:
“Hitherto it has been assumed that all our knowledge must conform to objects. But all attempts to extend knowledge of objects by establishing something in regard to them a priori, by means of concepts have, on this assumption, ended in failure. We must therefore make trial whether we may not have more success in the tasks of metaphysics, if we suppose that objects must conform to our knowledge……As regards objects which are thought solely through reason, and indeed as necessary,, but which can never— at least not in the manner that reason thinks them—be given in experience, the attempts at thinking them will furnish an excellent touchstone of what we are adopting as our new method of thought, namely, that we can know apriori of things only what we ourselves have put into them” (Immanuel Kant’s Critique of Pure Reason, Trans Kemp Smith, N., London, Macmillan, 1963, Page 22-23)
Metaphysical accounts of Being must, then begin with principles known a priori in contexts of explanation/justification which objects conform to.These principles form the a priori base for natural investigations. Science, on this view, is not cast in the role of a student of nature posing explorative questions, but rather as a judge possessing knowledge of “The Law”, deciding which laws to apply and how to apply them in contexts of explanation/justification. The role of experience here is via our intuitions which relate to the phenomena we experience as appearances, whether that be in the form of visual/auditory/olfactory or taste sensation or somatosensory sensation. Such forms of experience cannot of course reveal the object’s existence as it is in itself.
The imagination is constituted of representations of sensory experiences but imaginative experiences can be an antecedent to the conceptualisation of a number of intuitions, or alternatively relate to the practical goals and ends of the faculty of sensibility which can in turn be related to appetitive or higher forms of desire such as compassion, antagonism, courage, ambition(issues related to the advancement or inhibition of the life instinct, eros).
The practical goal of Aristotelian eudaimonia is not to be translated as a happy life but rather as a good spirited flourishing life which can only be achieved if one is worthy of whatever feeling of happiness one is experiencing The question to raise here then is whether there are a priori intuitions other than time and space related to our practical life—-are there, for example, intuitions related to our instincts which refer of course to our motor rather than our sensory activity. According to Campbell our fantasy life arises from our body which he insists is composed of a system of organs. Aristotle included our limb-configuration and tissues in his idea of the body whose first actuality is the soul. This is the basis of Spinoza’s idea that the first idea of the mind or the soul is the idea of the body.
O Shaughnessy speaks in his work “The Will:A Dual Aspect Theory” of a body image which does not include the internal organs but is related to those parts of the body that are under the control of the will, e.g. the limbs and their extensions (hands feet, etc). It is clear however that with instinctive behaviours relating to hunger that the organs play as large a role as the will. Aggression does however seem to be more intimately and immediately connected to the motor system. The sensory-motor associations of these primary and primitive responses also form a part of experiences relating to feeding and fighting and these associations do not appear to be a natural part of our system of ideas, but may certainly link up to language and its various sensory and motor functions.
Wittgenstein in his investigations of the phenomena of pain and how it is related to our language functions, claims that I learn to replace my exclamations of pain by saying the words “I am in pain!”, which replace and perhaps sublimate my instinctive response. The words “He is in pain” on the other hand, are used in relation to the behaviour and circumstances which give rise to pain responses. This process of learning language may be a part of sublimating the pain response under the language function of telling people about my pain and seeking their compassion for my predicament. The first function of the Freudian ego is to protect the body and the role of pain is obvious in such a process. Compassion in relation to my pain also becomes an important feature of our human form of life striving to survive and lead a life that is both good-spirited and flourishing (eudaimonia). These reflections are unquestionably hylomorphic and require elaboration of the kind we find in William James’s “Principles of Psychology”:
“Instinct is usually defined as the faculty of acting in such a way as to produce certain ends without foresight of the ends and without previous education in the performance” (Vol. 2, P.383)
William James we know also regarded Consciousness not as an entity but as a function, and to that extent might have agreed with Freud that Consciousness was in fact a vicissitude of instinct. For James, function is caused by structure, which includes organic structure, and he rejects the application of “ideas” such as self-preservation to the instinctive activities of animals which appear to have the consequence of survival. Apart from the consequences, however, it seems relatively straightforward that the animal is striving to live, to stay alive, even if we cannot attribute the “idea” of staying alive to them. Animals do not live in the world of ideas, they are not language users and have no use for the language function of representing things in their absence as is the case with the human psuché (form of life). The animal and human form of life, however, according to James may well include the function of a sensible form of imagination and imaginative ideas. James quotes Schneider’s “Der Thierische Wille”:
“Schneider subdivides impulses into sensation impulses, perception impulses and idea impulses. To crouch from cold is a sensation impulse, to turn and follow if we see people running one way, is a perception impulse:to cast about for cover if it begins to blow and rain is an imaginative impulse. A single complex instinctive action may involve successively the awakening of impulses of all three classes. Thus a hungry lion starts to seek prey by the awakening in him of imagination coupled with desire…” (Principles of Psychology P. 385)
Hunger and Reproduction are “ goals” of animal forms of life but even if they possess sensory-motor systems similar to ours there are significant differences between the two. Aristotle defined the human psuché in hylomorphic terms of “rational animal capable of discourse”, a form of life which includes walking upright on two legs, a posture in which the sense of smell becomes less important than the sense of sight which in its turn becomes a key power in the human repertoire of powers that of course includes a complex language which gives rise to relating to objects in their absence and various forms of rationally based abstract thought. Different dominating powers of perception (smell vs vision) give rise in its turn to different forms of locomotion which partly define our relation to our environment and the future dimension of time. The mechanisms that help to define the animal power of memory which is more tightly tied to the environment than is our human power are associative, and William James has given an excellent account of this mechanism in terms of the role of the brain and the chemical/electrical activity activating this primary organ of the body.
The animal has different powers partly because it has a different configuration of limbs and organs as compared with the configuration that allows the human to walk upright and engage with the environment in a more indirect fashion. The animal certainly has a different less complex brain without the networks of connections and differentiations we find in the human brain which permits the inhibition of primary reflexes and the possible resultant delay in wished-for gratifications. This may be a consequence of the possibility for the human brain to form a more complex representation of the end of activities it engages in, using this representation to initiate a sequence of behaviours to bring about this end. Many psychologists have appealed to the role of consciousness in the learning of new skills, and whilst Freud regarded consciousness as a vicissitude of the instincts Freud and William James were both at pains to diminish its importance for the human psuché, claiming that it is but one psychological function amongst many others. For William James in his essay “Does Consciousness Exist?”, his starting point was “pure experience”. Thoughts, James argued perform the function of knowing in relation to “pure experience” and suggested that consciousness is a principle of such knowing. James posits two polarities of experience, the one being the subject or bearer of the above knowledge and the other being the object known. The hemispheres of the brain, James argues, provide humans and animals with a consciousness of memory which of course is composed of the representations of absent objects that may or may not connect directly to the motor system and some form of activity. If the activity is concerned with the protection of the body from, for example, a rattlesnake confronting one on a narrow cliff path, the experience will be composed of both perception(groups of sensations), expectation, emotions (feelings of terror) and presumably action taken to avoid the calamity of a possible bite. Many of the images composing this experience will be composed of images from the past experiences of my memory system. These will be lodged in both the hemispheres of the brain. Primitive instincts relating to the protection of the body will be mobilised by the perception of the snake.
Sexual behaviour too involves the cortex of the hemispheres, given all the societal prohibitions governing the appropriateness-considerations for such kinds of action. This however is a remark that highlights the material “cause” or aspect of sexuality which of course has its root in several regions of the body including the sexual organs and the organs of sight and touch. Maurice Merleau-Ponty in hs work “the Phenomenology of Perception” embraces Freudian theory which has both Platonic and Aristotelian elements:
“For Freud himself the sexual is not the genital, sexual life is not the mere effect of the processes having their seat in the genital organs, te libido is not an instinct, that is, an activity naturally directed towards definite ends, it is the general power, which the psychosomatic subject enjoys, of taking root in different settings, of establishing himself through different experiences, of gaining structures of conduct. It is what causes man to have a history. In so far as a mans sexual history provides a key to his life, it is because, in his sexuality, is projected in his manner of being towards the world, that is, towards time and other men.” (P.181)
Even within the complex networks of both hemispheres we can find reference to what James regards as “intelligence”, a global power of the human psuché, in relation to the pursuit of the ends of not just life but the good-spirited flourishing life:
“In all ages the man whose determinations are swayed by reference to the most distant ends has been held to possess the highest intelligence. The tramp who lives from hour to hour: the bohemian whose engagements are from day to day: the bachelor who builds but for a single life:the father who acts for another generation: the patriot who thinks of a whole community nd many generations;and finally the Philosopher and saint whose cares are for humanity and for eternity.” (James, W., Principles Vol 1 P 23)
This ancient concept of intelligence is holistic emphasising as it does the ability or capacity to lead a particular “form of life” connected to the principle of how good such a form of life is. Our modern theoretical concept of intelligence connected to intelligence testing abstracts from the practical idea James is using, which, of course, has a more intimate relation to practical than theoretical rationality. Aristotle claimed in the opening to his work the Nichomachean Ethics, that all Human activity aims at the good and this is why the Platonic form of Good is so important in the characterisation of our human forms of life. The Greeks thought in terms of three broad categories of the good, namely the goods for the body , the goods for the soul, and the goods of the external world: In relation to these categories, the tramp bohemian and bachelor lead more limited lives as compared to the father, patriot, philosopher and saint (whose lives are certainly more complex and the result of more complex histories).
In man language plays an essential role in both his capacity for discourse and his rationality which are also measures of the intelligence with which he engages with his life:
“Take for example, the “faculty” of language. It involves in reality a host of distinct powers. We must first have images of concrete things and ideas of abstract qualities and relations: we must next have the memory of words and then the capacity so to associate each idea or image with a particular word that, when the word is heard, the idea shall forthwith enter our mind.We must, conversely, as soon as the idea arises in our mind, associate with it a mental image of the word, and by means of this image we must innervate our articulatory apparatus so as to reproduce the word as physical sound. To read or write a language other elements still must be introduced.”(p.28-9)
Writing and Reading have cultural consequences which greatly enhance their value as forms of human activity and therefore are regarded as both civilisation building and culture-creating activities. Even this form of language must in the end be related to the sensory-motor constituents of the brain which James together with Hughlings Jackson (p.29-30) maintains is the material of the mind. The “form” or organisation of this material in the cortex is related to the “consciousness” James claims is seated in the hemispheres of the brain. James, we recall thinks of this term as designating both a function and a principle related to the perceptions and considerations that are the task of hemispheres in which memories of our past experiences reside.
Freud too was influenced by Hughlings Jackson, in particular his thesis that higher functions of the brain can assimilate lower functions such as hunger and turn dining into a complex social occasion encompassing many of the higher pleasures relating to life. Another task of the hemispheres must be to delay gratification of all kinds, including the sexual. They can also delay responses in favour of other more rational responses built upon knowledge of how the external world operates, and knowledge of the norms and values of the society.
The Ego, Freud argued, is the agency of the mind that mediates between the lower impulse driven psychological functions, and the higher more abstract normative considerations of what we ought and ought not to do. The Ego also has the function of performing the task of monitoring the external world in the light of its knowledge. It responds to pain by forming memories of what ought or ought not to be done, and it strives for pleasures of life in accordance with the Aristotelian principle of the golden mean, and the principles of noncontradiction and sufficient reason. Pleasure/Pain has a particular bodily history for Freud in which pleasure is first located around the mouth and moves through various zones to the genital area before becoming a global bodily phenomenon in a process of psychosexual development. This process has clearly hylomorphic commitments. Pain, however, for Freud was the great educator, and the ego was therefore designated as a precipitate of lost valued objects. In mourning our losses, we respond to such objects or the memories of them in accordance with what Freud called the reality principle.
The whole business of a human life is a complex one and many vicissitudes of the instincts are formed and used on the road to attempting to lead the good-spirited flourishing life. We do not find sympathy for the Freudian rationalist position in James’ radical empiricism, but there is a focus on relatively holistic ideas such as consciousness, intelligence, and forms of life which all relate significantly to the Freudian Reality Principle which in turn is related to both Platonic Aristotelian and Kantian explanatory strategies. James does not believe in the transcendental Ego of Kantian Philosophy preferring a thesis of pluralistic psychology that assumes many different selves not tied together by a transcendental “I” or ego which connects and differentiates representations. Kant argues, however that without this transcendental owner of experience, knowledge as a phenomenon would not be possible at all:
“Consciousness of self according to the determinations of our state in inner perception is merely empirical, and always changing. No fixed and abiding self can present itself in this flux of inner appearances. Such consciousness is usually named inner sense or empirical apperception. What has necessarily to be represented as numerically identical cannot be thought as such through empirical data. To render such a transcendental presupposition valid there must be a condition which precedes all experiences and which makes experience itself possible. There can be, in us, no modes of knowledge, no connection or unity of one mode of knowledge with another, without that unity of consciousness which precedes all data of intuitions, and by relation to which representation of objects is alone possible. This pure original unchangeable consciousness I shall name transcendental apperception. That it deserves this name is clear from the fact that even the purest objective unity, namely that of the apriori concepts (space and time), is only possible through relation of the intuitions to such unity of consciousness. The numerical unity of this apperception is thus the a priori ground of all concepts, just as the manifoldness of space and time is the a priori ground of the intuitions of sensibility.” (Immanuel Kant’s Critique of Pure Reason, P.136)
This power Kant is referring to has the function of combining the manifold of representations into one unity. Intuition for Kant is that which brings us into immediate and direct contact with appearances which are not things in themselves but signs of this transcendental object Kant designates with an X. In the stream of thought it is the categories of our understanding/judgement that provide the universal and necessary unity of representations in the case of knowledge. These fundamental concepts are intimately connected with the transcendental ego and apperception which is manifested in our self-consciousness. One such fundamental concept is that of causation which necessarily connects the representation of a cause with the representation of the effect which is illustrated in our perception of the change in the position of a ship steaming down a river.
William James’ mechanism of association would not be able to produce the knowledge of why the ship is moving downstream if its respective positions were merely associated without necessity. These respective representations of the ships position in space at different times are therefore represented as necessarily connected in the consciousness I have of myself. James of course denies both this unity and the necessity of the categories. The knowledge of why the ship is changing its position as it does is therefore according to Kant, due to the fundamental concepts of space, time, and causation. For James his analysis of judgement is tied up with the power of thought to think something about something and it begins with a something that is given to us in feeling which enables acquaintance with the thing to begin. When we begin to operate upon that feeling by thinking or analysing it, we then begin a cognitive relation to what we are acquainted with. For James, feelings can be both sensations and emotions whilst thoughts are conceptions and judgements (Vol. 1 P.22) In his account of the stream of conscious thought James includes all forms of consciousness but he does not believe sensations as such are important in this account, since he claims they are not what we experience. Rather the idea of sensation is a result of an act of discrimination which identifies this basic idea as an element of consciousness. Every Stream of Thought, however, is owned by a personal consciousness that is continually changing and related to objects that appear independent of this personal consciousness. Attention is focussed on some aspects of these objects which we choose because of our interests which in the case of the ship could range from an interest in taking a trip downriver on the ship to the design of the ship or even an interest in the power of the river etc
For Kant the ship steaming downstream can be a pure matter of intuitions which are organised by the imagination initially. Whilst this is occurring we are probably dealing more with a stream of a simpler form consciousness rather than with an articulated stream of thought which would result in a cognitive judgement about the event, whether that be in terms of the idea of a ships essence as being capable of navigating the river in the way that it does, or alternatively in terms of the rivers power to take waters to the sea. If this experience gives rise to a judgement such as “The ship is steaming downriver” then we are dealing with a relation of concept to object that is true, which is a fact, i.e. we form an epistemic judgement in which we know that it is true that the ship is steaming downstream. Had T S Eliot been witnessing this event he may have seen an unusual aspect of the rivers power which he expresses thus:
“I do not know much about gods; but I think that the river
Is a strong brown god–sullen, untamed and intractable,
Patient to some degree, at first recognised as a frontier;Useful, untrustworthy as a conveyor of commerce; then only a problem confronting the builder of bridges.
The problem once solved, the brown god is almost forgotten
By the dwellers in the cities–ever, however, implacable
Keeping his seasons and rages, destroyer, reminder
Or what man chooses to forget. Unhonoured, unpropitiated
By worshippers of the machine, but waiting, watching and waiting.
His rhythm was present in the nursery bedroom,
In the rank ailanthus of the April dooryard,
In the smell of grapes in the autumn table, And the evening circle in the winter gaslight.
The river is within us, the sea is all about us;….”
This poem is an articulated poetic experience which may have been provoked by the sight of the ship steaming downstream. The experience is symbolic and the poem is a linguistic articulation of the latent content of the experience which has what Paul Ricoer terms a “double meaning” resting in the feeling of the sacredness of the river and the harmony of the faculties of the imagination, the understanding and reason. There is clearly also an ethical import expressed in the above poem: an import perhaps also expressing a sacred view of Humanity expressed by the Greek oracle’s proclamation that “everything created by man is destined for ruin and destruction”. We ought to know our own natures but without the poetic courage of the poets we would choose to forget the oracular proclamations and look upon rivers in purely instrumental terms.
Kant has the following to say about the symbolism of the sacred. There is no possible intuition of God, the omniscient, omnipotent all good principle of the universe. Our only contact via intuition is an indirect contact, one in which intuitions “symbolise” the different aspects of the God-principle. This is why Kant had to make room for faith in his metaphysical systems. We cannot know God, but we can think this principle without violating the logical principle of noncontradiction.
Symbols give rise to thought Ricoeur argues and the mechanism operating here is not that of association but rather one of analogy. Plato’s allegory of the cave is operating on the mechanism of analogy which is referred to in the linguistic operator of “metaphor” in which we redescribe reality via the operation of a transposition of meaning from one more commonplace domain to a different domain which in the case of “Man is a wolf” displaces the meaning from the species domain to the genus domain which can be seen as the principle of the species—hence the presence of “meta” (“before”) in the term metaphor. In the case of Plato’s allegory (an extended metaphor in the spirit of logos) it is the knowledge of the form of the Good which is the first principle of his exposition in the Republic. This correlates well with both the views of Aristotle and Kant, who also emphasised the importance of a practical Philosophy that also provides us with perspicuous accounts of the role of the so-called productive sciences and arts for which the metaphorical function of language is so important.
Shakespeare, is perhaps the poet that mastered the art of the extended metaphor through his use of symbolic language which in Hedeggers terms put the truth of beings to work. Ricoeur claims that when extended metaphors occur in poetry or myth (muthos), it is moral action that is being imitated for the purposes of tragedy (the catharsis of the emotions of pity and fear). What we experience in the transcendental spectacle of Shakespeare is the unconcealment of a meaning of being and of the good which is captured in the ancient Greek term of aletheia. This according to Ricoeur is one of the functions of metaphor:
“To present men “as acting” and all things “as in act”—such could well be the ontological function of metaphorical discourse, in which every dormant potentiality of existence appears as blossoming forth, every latent capacity for action as actualised.” (Rule of Metaphor, P.43)
Campbell speaks about the transformation-function of metaphor in which “Meta” refers to what is transcendent beyond all categories of thought, to something that is supersensible. Once we move into this zone of transcendence, beyond the categories of conceptual thought which are governed by the categories of the understanding, we move beyond the realm of truth-value and into a dialectical realm of opposites, e.g., good and evil, male and female, light and dark, right and wrong, death and life, future and past. Through such dialectical opposites we move into the realm of the sacred and holy symbolised so well by the Garden of Eden myth with its trees of knowledge and life, where God and man dwell together in a mythical harmony for all time. The presence of man in this almost perfect scenario, however, reveals a fragility which disrupts this harmony, and ends in his exile into the real world in which he will need to use his knowledge to survive as long as he can. The sentence of mortality that God has passed upon man is generally interpreted as a punishment. Man also is forced to endure perhaps the worst of all forms of suffering, namely the pain of being alive at one moment and not the next: the pain of having no future once this mysterious event of death occurs. This realm contains both elements of the metaphysics of nature and the metaphysics of morals that we can find in Kant’s Critical Philosophy which dedicated itself to the drawing of the correct boundaries around the domain of the metaphysical.
Myth by means of metaphor and symbolism attempts to say what lies in the region Anaximander called “apeiron” where we can find space, time, matter and continuous change. Campbell claims that poetry and mythology originated with the muses of the Ancient world. The ancient proclamation to “know thyself!” is related to the conviction that there is something divine and infinite within us which is capable of transcending our finite bodies living in a finite world for a finite time. This something, Campbell argues, is consciousness, which can in principle watch disinterestedly as the parts of the body which is the vehicle of consciousness fall asunder. This might explain why primitive man buried people with their weapons, because they belonged to the part of a man that can never die.
Animals for Neanderthal hunters were a sacred symbol of life and revered for their life-giving and sustaining power. Indian tribes in America, Campbell claims, addressed animals as a thou, and worshiped animal spirits. Rituals were also created for the purposes of concretely manifesting the meaning of the words of the myths. The Medicine men or shamans of primitive tribes often experienced near death experiences which enhanced their status in relation to myths about death being a crossing over to another realm of being. The idea of Mother Earth gave rise to a general feeling of awe and wonder for animals and their spirits as well as all manifestations of magnitude and power in mountains and rivers. These phenomena were all experienced as sacred by the mythic imagination as the sights and sounds of the divine or the sacred. These aspects of the world were related to the “thou-feeling” which has been so truncated by our modern life. Perhaps when we retreat to those few places where we meditate,e.g. our churches, our libraries, our studies, our concert halls, we share something of this ancient experience. This meditative experience is accompanied by a special type of pleasure which Campbell names “bliss”.
Campbell argues that the myths and rituals of these periods pre-dated the myths of the Garden of Eden and the Ancient Greeks we are familiar with, and this ancient Gaia principle of the earth mother-goddess has been supplanted by warrior myths or gods who tended to be masculine, e.g. Yahweh and Zeus (who castrated his own father). Greek Philosophy and Art inspired by the female oracles may have been attempting to relate more meaningfully to this ancient way of being-in-the-world. The ancient way of being, that is, may have taken the royal road to the way of being-in-the-world that is best for the human form of psuché: myth, that is,carries us back to a time when these experiences were closely related to eudaimonia (the good spirited flourishing life).
Myth is the fruit of the second tree in the Garden of Eden, the tree of life which no one is forbidden to eat of and which Campbell argues bore Jesus Christ the saviour of the Christian faith. Mythology, Campbell argues, is embedded in a local geography and connected to ways of sustaining oneself in life which will determine some of the focus of the myth. The forest determines that life sustaining activities will take the form of hunting and searching for roots and berries. In such an environment there will not be the space or time to appreciate the awe-inspiring dome of the sky and the sense of perspective that surveying huge distances provides us with. This open environment provided the Ancient Greek and Renaissance artists and poets with the inspiration for their works of art. Michelangelo and Shakespeare embodied the Renaissance spirit in different mediums and different landscapes.
Michelangelo’s sculpted figures at the tomb of the De Medicis manifest pent up human energy frozen at the gates of death. The mass-effect of the stone used by the Renaissance artists testify to the power of the human psuché to shape his world in harmony with his natural surroundings. Shakespeare too, puts the melancholy and joy of life and death on show in his transcendental spectacles: using language symbolically in ways no one has done before or after. Shakespeare also embodies an important theme of cosmopolitanism in his works which would later flower into the cosmopolitan hylomorphic critical Philosophy of Kant who conceived of a Kingdom of ends in the far distant future which will retain the oracular spirit of much of our Western Mythology and Philosophy.
The form of life associated with agriculture and plant life meant the substitution of the sacredness of the seed for the animal which we first hunted and then domesticated. The female Gaia principle of mother earth from which all life emerges and is sustained becomes for these communities the focus of the sacred and the divine. Each form of life had its heroes pursuing their heroic journeys manifesting courage of a life lived so close to death. Civilisation in its settled form brought with it other more sustainable long term values and attitudes that allowed communal and family life to thrive.
Love sublimates the more aggressive impulses and allows art and philosophy to emerge as civilising influences. New heroes emerge. Socrates, a new kind of intellectual hero recommending the examined life in search of wisdom and self-knowledge replaces the manic Achilles, the hero from an age with a warrior mentality.
Eros endures through the centuries until we reach the middle ages where we encounter the greatest love stories which Campbell argues created the distinctive form of Western individual consciousness that eventually led to the commitment to freedom and the international rights of man. Christianity’s two commandments to love God above all else and love thy neighbour contributed to this development which existed parallel with the warrior culture (Thanatos) that plunges us into war and conflagrations again and again until we reach what Arendt called “this terrible century” where two world wars are fought and weapons of mass destruction are used on civilian populations. This meeting of the eyes in a loving personal individual relation testified to the attempt to transcend the pain and suffering associated with the burdens of psuché and the inevitable mortality that defines life. Campbell believes that the principle teaching of Christianity is that which urges us to love our enemies. Involved in such a sacrificial form of life is a deliberate acceptance of suffering which Freud thought was beyond our idea of what was rational. Jesus on the cross is of course the supreme awe inspiring sacrifice urging us to embrace this form of life. Jesus so loved his father and mankind that he was prepared to sacrifice his life for the cause of the future of mankind: a message which, if universally embraced, would end all war and conflict. Such, however, was the power of the parallel male dominated warrior culture, that crusades and wars were paradoxically fought under the sign of the cross.
The Virgin Mary manifests the importance of this female principle and for Campbell the most interesting of the Gospels is that of the Greek Luke in which it is maintained that the Kingdom of the Divine is within us. This reflection also requires, however, the accompanying gnostic reflection of Thomas that the Kingdom of God does not lie in the future but rather is all about us. The Christian rituals of prayer and meditation in peaceful churches help to keep this spirit of Eros alive. The Old Testament Yahweh who breathes life into the earth is not present in the earth, as is the female forms of the divine in accordance with the Gaia principle.
For Campbell all the above different forms of divinity are to be conceived of as the “masks of eternity”(“All our names for and images of God”) and underlying the mask is the transcendental form-giver that we can not know directly either via our senses or via our categorically based knowledge. We can in accordance with Kantian Critical Philosophy think about these form-creators without contradiction and this allows us the space to retain the wisdom incorporated in our earlier myths. A myth for Campbell is an extended metaphor for what lies beyond the visible world and he refers to Hindus that do not see much religion in our Christian writings. Our Western view that God is the source that is not present, is very different to both primitive and Occidental thinking, where the sacred and the divine is manifested in the powers we experience that fill us with awe and wonder.
Campbell himself claims that he is not a man of faith but rather someone who grounds their reflections in experience which accords well with the American Philosophies of pragmatism(William James) and instrumentalism(Dewey). Much of what Campbell presents is in accord with the presentation of James’ approach in his “Principles of Psychology” in which he investigates both the Conditions and Phenomena of psychological life.
There is, however, also a hylomorphic aspect to Campbells reflections. He maintains, that is, that the energies we attempt to symbolise in our myths and metaphors, and symbols, originate in our human body and life. The emotions associated with art which are associated with these religious symbols, metaphors and myths, are more related to the sublime than the beautiful but both sets of emotion are related intimately to the moral life of psuché. One of the Kantian images most relevant to the awe and wonder we experience in relation to the vast expanse of space which fills the mind is that of the dream of Carazan, a man who has not valued the presence of his fellow men in his life. Carazan dreams he is judged by a supreme being who sentences Carazan to flying out on an endless journey in infinite space and into far flung regions of the universe where there is no light and only pitch darkness. Carazan awakes from this experience of the “terrifying sublime” and reevaluates his life with his fellow men. This kind of dream is not common but its symbolic structure is unmistakable. This dream has both elements of the metaphysics of nature and the metaphysics of morals as part of its symbolic structure.
Campbell cites Schopnehauer’s thesis that one’s whole life has been constituted by the activity of the will within and this invokes the ancient Greek idea of the Good and the Enlightenment idea of freedom simultaneously.
The stories we tell are obviously important in both our civilisation building and culture creating activities and their role increased in importance once life settled down in communities like the village and the polis where the stories of animals living in a supernatural world became more earth centred and more concerned with the knowledge and wisdom we need to lead good spirited flourishing lives. The story is firstly designed for the children and youth of the community. Insofar as these were biblical stories they aimed at achieving a form of identification with the figure of Christ and the power of love to transform our existence. Christ, Campbell argues, embodies the presence of earlier divinities such as Isis and Osiris who were early symbols of the transcendental X that we are unable to directly represent conceptually.
Death is the mysterious telos of life that cannot as such be experienced. In that case the analogy of sleep that Socrates invoked was a good one. I can experience falling asleep and awakening from sleep but not sleep itself. Similarly I can experience dying but not death itself. Both death and sleep lie at the boundaries of our experience recalling the reflections of the early Wittgenstein (also influenced by Shopehauer) that all important matters relating to the self lie not in the world waiting to be experienced, but lie rather at the boundary of the world in a manner similar to the way in which the organ of the eye is not in the visual field but lies outside its scope.
Campbell cites the evidence of burial rituals during the period of Neanderthal man which testify to the existence of the question “What happens to the self after death?” The Neanderthals were hunters and perhaps to them the animal was a messenger or gift from the divinities believed in. The cave paintings from Lascaux also testified to the awe and wonder relating to animals occurring as they did not in areas of habitation but in areas reserved for other purposes. Caves also carry the symbolic power of the womb of the earth which is responsible for all life. Rituals relating to the initiation of adolescents into the life of the adult have been transformed in modern life where the transformation occurs much later over a longer period thus emphasising the importance of the Freudian observation that human psuché must endure a long childhood on the road to a state of maturity which may never in fact occur. The Shamans of primitive tribes were the equivalent to our priests and if they were the painters of the cave paintings perhaps they were also assuming the role of early artists. Modern artists are our modern mythmakers and they too have catharsis on their agendas, seeking to purge feelings of pity and fear and transform the self into an agency that knows and understands itself. Each of us, Campbell argues is a manifestation of the transcendent power or energy that we cannot fully comprehend but seek to know as much as we can about.
For the primitive form of consciousness embodied by the Native American Indians our modern life is an enigma and our actions are mysterious. When for example an American President offered to buy their land they were filled with consternation. How, they wondered, can one temporally possess what is sacred and has given rise to one’s own existence? Why does the white man spoil the landscape with poles transmitting talking wires from place to place? To them our actions seem to lack the real motivation that comes from acknowledging the power and energy of sacred forces. What they appear to misunderstand is the transformation that accompanied our own transition from hunting to agriculture where the death of a plant is not as absolute as the death of an animal. Cut down a plant, e.g. the vine, and new growths emerge . With this new form of life came a new and different appreciation for life. The perspective we have on life changes in many ways and unexpected associations emerge such as the tight relation between begetting future generations and one’s own death. The present generation has to make great heroic sacrifices for the coming generations. One learns in this process to grow old gracefully and watch one’s own disintegrating powers without comment or complaint.
The eyes, Campbell argues, are the scouts of the heart and seek out what they desire. True love, that is, is born from the heart and the eyes. These organs are the focus of the romantic artists and poets, the inheritors of the ancient power of Eros cleansed of the lusts and appetites of the body (via knowledge of the Platonic form of the good). This, Campbell insightfully argues, is the birth of our modern Western idea of conscious individualism. The cupid of the middle ages becomes a mischievous figure with a glint in his eye and the erotic meeting envisaged by these troubadours was one of the intimate meeting of eyes between two persons. This new mode of interacting was contrary to both the tradition of arranged marriages and the ecclesiastical idea of love which was bound up with religious prohibitions and inhibitions.
Love was portrayed by Shakespeare as the sickness that physicians could not cure. Here we encounter the ideal of one person (so important in psychoanalysis) opening up and unburdening their heart to another. The Legend of the Holy Grail is a part of this era of fantasy in which it was imagined that Satan and God were at war with each other. and the Grail, like the fire of Prometheus, was delivered to man by a neutral angel and signifies man’s spiritual potentialities which really cannot be symbolised by any one kind of physical object. God certainly did not love his enemy Satan but apparently suggests man do what he could not. In this world of the imagination there is evidence of the operation and reconciliation of Heraclitean opposites such as love is both joy and pain, and “love is the pain of being truly alive”. In this mythological world there appears to be reference to forms of consciousness which meditates on the mystery of the source and nature of Being.
On the Gaia principle space and time are the sensible conditions which allow goddesses to emerge. Campbell argues it was the Hebrew mythology that wiped out the worship of female deities.A situation which Christianity attempted to mitigate with reference to the Virgin Mary and the miracle of the virgin birth of Jesus. The agricultural communities of old testament times were often overrun by the hunters and herdsman for whom violence and conquest was a way of life. This state of affairs probably resulted in the building of walls around communities for protection and defence purposes.
Zeus, too, Campbell argues, was a warrior God, a state of affairs which was also mitigated by the presence of over 70 female oracles and deities such as Athena, Gaia, Aphrodite, the Erinyes, Hera, Demeter etc. In Greek mythology, the male and the female are in constant interaction.
The reference to the organs of the eyes and of the heart and their location in the head and breast above the lower pelvic zone where sexual and nutritive gratification dwell, has hylomorphic and psychoanalytic significance, even if the role of the brain is somewhat ambiguous on such accounts. Reference to the dominating activity of more primitive appetites and urges contain the potentiality for being transcended by the organs belonging to higher systems.
Campbell claims that whilst God is a metaphor, a thought or idea, the reference of the metaphor thought or idea is transcendent and lies beyond both Being and non-Being. The contrast of the Western Conception of the ultimate deity differs from that of the East. The West sees God as being the source of energy and his creation whilst the East sees God as manifest in this creation and being the vehicle of the energy of the Universe. The different deities being the personifications of this energy. The different sources of organ-energy in our bodies have different consequences for the forms of life we lead. These images, thoughts, ideas and metaphors then emerge from our various life-activities in our life-world.
The circle is a universal geometrical symbol that is connected to beginnings, ends and eternal circular movement. The cycles of life repeat themselves and are recorded by our clocks and calendars. The circle was sacred for Plato and symbolised the soul. For many primitive tribes the circle was associated with the magical and the miraculous. The circle is but one image or archetype emerging from man’s psuché, which has both bodily and psychological characteristics. What is inside the circle of the soul is a question which recurs again and again in many different forms in different mythologies. Life might be boundless but metaphors, thoughts and ideas are finite expressions with finite relations to other metaphors, thoughts, and ideas. Plato and Aristotle spoke of a hierarchy of forms of life ranging from the healthy, wealthy and courageous forms, which are all subordinate to the contemplative examined form of life that comes from meditating Philosophically upon existence. Mythology sees the highest hierarchical form of life in terms of the divine and perhaps questions whether the Philosophical form of life is as sacred and significant as the divine form of life which comes from meditation and prayer.Plato and Aristotle did not use the term “sublime” but undoubtedly referred to this experience insofar as the terrible power of nature was concerned. We should recall that the Oracles warned man that everything he creates is doomed to ruin and destruction. The Gospel according to Mark speaks of the end of the world coming and the elimination of ethical thinking. The Gnostic gospel of Thomas on the other hand claims that the kingdom of heaven is all around us and this thought is certainly echoed in Kants “Cosmopolitan Kingdom of ends”.
Campbell argues that myth originates in the human body, a thesis Maurice Merleau Ponty would certainly have had sympathy for, given his commitment to an account of being-in-the world which recognises that the Body is the originating source of the lived-world man dwells in. For Merleau Ponty the self is the body which has many more dimensions than biological or psychological science can imagine. This source may well be part of a network of physical causes but this is not the primary significance of Merleau-Ponty’s Aristotelian proposal which suggests the importance of “form” in appreciating the holistic responses of the individual to his environment. This then permits the introduction of teleological considerations in the task of correctly describing and understanding the structure of behaviour. In his work “The Phenomenology of Perception”, MP has the following to say about the self that gives meaning to our behaviour:
“I am not the outcome or the meeting point of numerous causal agencies which determine my bodily or psychological make-up. I cannot conceive myself as nothing but a bit of the world, a mere object of biological, psychological or sociological investigation. I cannot shut myself up within the realm of science. All my knowledge of the world, even my scientific knowledge, is gained from my own particular point of view, or from some experience of the world without which the symbols of science would be meaningless. The whole universe of science is built upon the world as directly experienced, and if we ant to subject science itself to rigorous scrutiny and arrive at a precise assessment of its meaning and scope, we must begin by reawakening the basic experience of the world of which science is the second order expression…..I am not a “living creature” nor even a “man”, nor again even a “consciousness” endowed with all the characteristics zoology, social anatomy or inductive psychology recognise in these various products of the natural or historical process—I am the absolute source, my existence does not stem from my antecedents, from my physical and social environment: instead it moves out towards them and sustains them, for I alone can bring into being for myself..the tradition which I elect to carry on, or the horizon whose distance for me would be abolished–since that distance is not one of its properties—if I were not there to scan it with my gaze.” ( Phenomenology of Perception Translated Smith C., London, Routledge, 1962, Page IX)
The organs of the eyes and the heart referred to by Campbell may well be understood by biological and medical science in terms of a network of causal agencies and no one wishes to deny the validity of the scientific point of view for certain human purposes. These sciences however do not enable us to complete the task of knowing ourselves set by the ancient Greek oracles, a task that Aristotle undertook so systematically with his hylomorphic theory of psuché, a theory which relies four kinds of change, three principles of change three media of change and four causes of change which we find accounts of in three different regions of science, theoretical, practical, and productive. Our psychological “form” is complex but it is, both for Kant and for ancient myths, the self-causing source of the metaphors, thoughts, and ideas we have about our being-in-the-world and our life-worlds. Our human form of psuché certainly is in its turn “caused” to come into being by both the kinds of organs we possess and their configuration which has in its turn “caused” (in the fourfold sense conceived of by Aristotle) both the configuration of limbs, bipedal posture and the forms of life that flow from such a configuration. Such a being according to Aristotle is a rational animal capable of discourse. Our animal origins however were significantly transformed with our bipedalism which lifted our eyes up to see the horizon and the dome of the sky above, and the sense of smell was relegated to a subsidiary pace in the hierarchy of the senses. Yet the primary shift in our sensory motor systems was in regard to the motor function of speech which of course is intimately related to the sensory event of recognition insofar as our encounter with objects is concerned:
“The denomination of objects does not follow upon recognition:it is itself recognition. When I fix my eyes on an object in the half light, and say “it is a brush”, there is not in my mind a concept of a brush, under which I subsume the object, and which moreover is linked by frequent association with the word “brush”, but the word bears the meaning, and by imposing it on the object, I am conscious of reaching that object. As has often been said, for the child the thing is not known until it is named, the name is the essence of the thing and resides in it on the same footing as its colour and its form. For pre-scientific thinking,naming an object is causing it to exist or changing it: God creates beings by naming them and magic operates upon them by speaking of them..” (P.206)
When we are speaking, moreover, MP claims, our speech is our thought. It occurs because we know how to use the words we are speaking and we know how to use our articulatory organs. My utterances are gestures expressing intended meanings. All motor behaviour is transcendent of the biological body in this respect when it is intentional and meaningful. It is not the soul but the body that speaks and behaves. My body however is not an “object” composed of organ systems and limb configurations but rather a “lived presence” which follows the special logos of psuché. Ancient man and his oracles appear to recognise God everywhere including within himself and this attitude is manifested more in the serene Eastern religions like Hinduism and Buddhism than it is in our own dramatic tragedy-laden Christianity. This does not however prevent the Christian from joyfully participating in the sorrows of the world. Mythology, Campbell argues, must to some extent validate our experience and guide future conduct reliably but neither the primitive myths nor ancient Greek or Christian or Eastern myths appear to be able to either validate our experiences or guide us into the future. In answer to the question of whether we are capable of formulating such myths for ourselves, Campbell appeals not to artists but to science and quantum interconnectedness. Science can be magical, he argues, appealing to a dimension of existence deeper than causality, but the question remains whether quantum theory can give us a better account of life than that we find in Hylomorphic theory, Kantian theory and Psychoanalysis . Will the inner-space of human life be accounted for by quantum theory in the same terms as the inner space of external objects? If so what then happens to the experience of time? Will it be a relative phenomenon as Einstein suggested or will the consciousness I have of this “now” be a necessary and absolute starting point? If so, are we experiencing the sacred circle T S Eliot talked about in his Four quartets, where after much journeying, we arrive at the end only to see it as our beginning which we now know better than we did when our journey began. This of course is a better journey than that of Carazan through endless pitch black space. Better in the sense that we dwell in the light, alive and conscious of the dark and of death but with the possibility of experiencing eudaimonia.
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